Showing posts with label Eurovision preview. Show all posts
Showing posts with label Eurovision preview. Show all posts

Saturday, May 14, 2022

Thoughts on Eurovision 2022 (with a prediction)

Scot Goes Pop more or less started life as a Eurovision blog, so I try to keep that tradition going to a small extent every year with a little bit of Eurovision coverage.  Last year that came in the form of a podcast, and I was planning to do the same thing this year, but alas, the clock has beaten me.  There was an Alba NEC meeting this morning (which was a very upbeat affair, by the way), so I didn't dare burn the midnight oil too much with all the finickity edits that would have been required to get a podcast ready in time.  But instead, here's a blogpost with a few thoughts about what to expect from the grand final tonight.

In the podcast last year, I was looking ahead to a truly fascinating showdown between two entries - France and Italy - which were practically level in the betting, but which couldn't conceivably have been more different from each other.  That made the outcome very unpredictable, because it was hard to judge which way the juries would jump, or which way the public would jump, or indeed what the synthesis of those two results would look like.  This year it's a very different story, because we have an overwhelming odds-on favourite - on the betting markets Ukraine are estimated as a roughly 70% chance to win outright, which is pretty incredible in a field of 25 songs.  But there's still a really interesting story beneath the surface, because it's by no means clear that Ukraine is actually the best song.  I'd probably have it in my own top six or seven, but I'm not convinced that it's objectively better than the UK, or Italy, or the Netherlands, or even Estonia, which is absolutely nowhere in the betting but leaped out at me in the semi-final as a possible dark horse.

The reason Ukraine are strong favourites is, of course, that they have a decent song at a time of massive public sympathy across Europe for the country's plight.  So it's assumed they'll win the public vote comfortably, and I'm inclined to agree with that assumption.  But the public vote only accounts for 50% of the points, so it's still conceivable Ukraine could fail to win if the juries go heavily against them.  OK, even the juries are composed of human beings who may be influenced either consciously or subconsciously by outrage at the brutal, unprovoked invasion of a sovereign country.  But I recall back in 1993-4 that there was speculation that Bosnia-Herzegovina (then in the grip of a horrendous civil war) might win the contest on a sympathy vote, and that didn't even come close to materialising.  In those days, points were 100% determined by national juries.

Basically if Ukraine finish in the top three in the jury points, they should have enough public votes to power to victory.  But if they slip below the top three, it might be more of a challenge for them.  For what it's worth, the current betting for the jury vote alone has the UK ahead and Ukraine in second place.  That could conceivably be based on a leak of the actual results, because the jury vote took place last night on the basis of the performances during what is known as either a "rehearsal" or the "jury final".  So if it is a leak, we're perhaps looking at an overall Ukraine win - but I've lost count of the number of times people have assumed that movements in the betting markets were caused by leaks, and then been proved wrong.

The other big story here is that the UK, perennial also-rans in the contest in recent years, look like one of the two or three most probable beneficiaries if Ukraine stumble.  I'm not quite sure how to feel about that - I always used to wholeheartedly support the UK entry until about a decade ago, and then my attitude changed completely.  As we know, anything that creates a feel-good buzz about the UK "brand" can be potentially non-optimal for the Scottish independence movement.  Not that a UK Eurovision win would be a killer blow or anything remotely like that, but it would certainly be on the front pages of all the papers, and then there'd probably be a campaign to bring the 2023 contest to the Hydro in Glasgow (a campaign that would likely fail, so it would be a double-edged sword for the Better Together brigade).  However, although the UK are now clearly in the top three in the betting, they're still only rated as less than a 10% chance to win, so we probably shouldn't be panicking just yet.  

We may need to brace ourselves for the UK being in first or second place for long stretches of the scoring, though, because the public votes are only added into the mix right at the end. 

For what it's worth, here's my prediction, which is not a particularly radical one - 

Winners: Ukraine (Stefania - Kalush Orchestra) 
2nd place: Italy (Brividi - Mahmood and Blanco)
3rd place: UK (Space Man - Sam Ryder)

I'll actually be pretty happy if Ukraine win, because it would be the second year in a row that an entry sung entirely in a language other than English has come out on top - I think that would be a very good thing for the contest.  But a big talking-point after any Ukrainian victory will be whether it's feasible to actually host the 2023 contest in Ukraine - because for forward planning to take place, there would need to be stability.  There's a non-trivial chance that next year could be the first time since 1980 that the previous year's winners haven't hosted the contest.  (Israel won on home soil in 1979 but the Netherlands hosted in 1980, with Israel not even taking part.)

As I said earlier, Estonia and the Netherlands look like possible dark horses to me for tonight.  Estonia is the sort of song that would have easily stormed to victory twenty or thirty years ago - it's strongly anthemic, with a country tinge, a charismatic singer and a gimmick (he lugs a guitar around on his back).  It might be a value bet for a decent placing, at the very least.  And the Czech Republic entry is lifted by very eye-catching staging, which is probably why they've been given the opening slot in the running-order.

Thursday, May 12, 2011

Eurovision 2011 prediction : Thursday's semi-final

NOTE : I'm reposting this (backdated) because it vanished when Blogger was down.

The big news from the rehearsals for the second semi-final is that two of the early favourites to win the contest outright, Estonia and Sweden, may be struggling to even qualify for the final. Having watched the performances on YouTube, I must say I can't really see what the problem is - Estonia in particular looks and sounds near-enough identical to the national final performance that won so many plaudits. But of course that may not be the best guide - the sound quality on the YouTube videos isn't great, and you're only seeing the performance from one fixed shot. Nevertheless, I'm going to stick my neck out and say that I still expect both to make it through, although clearly I'm going to have to revise my prediction from a few weeks ago that Estonia were heading for victory!

So to my full prediction for tonight. I had ten countries pencilled in, but then I realised that I'd left Moldova out by mistake - and they're surely likely to make the cut courtesy of an insane visual performance featuring Ku Klux Klan hats (well, not really, but if you can imagine black Ku Klux Klan hats you get the idea) plus a random fairy riding a unicycle. I've had to strike Ukraine off my original list as a result, although I'm not entirely sure about that, if only because they have one of the most stunning backdrops. Anyway, this is what I'm left with...

Estonia
Sweden
Ireland
Cyprus
Bosnia-Herzegovina
Denmark
Austria
Romania
Moldova
Slovenia


So, yes, I'm predicting that Jedward will make the final, and terrifyingly the consensus seems to be that they're absolutely storming through.

Wednesday, March 4, 2009

Eurovision preview part 3 - Iceland

Jóhanna Guðrún Jónsdóttir
Is it true


"Falling out of a perfect dream
Coming out of the blue
Is it true? Is it true?
Is it over?
Did I throw it away?"


Anguish about the collapse of the Icelandic banking system cunningly disguised as a love song.

Having listened to this some more, I'll have to slightly revise what I said previously - it's now my firm favourite of the songs selected so far (not that I've remotely gone off Andorra, you understand). It's not desperately original, and at first it sounds pleasant but unspectacular, but it's one of those songs that really gets under your skin after a second or third listen. Can it win? Songs as gentle as this don't have a fantastic track record of winning outright - in the last twenty years I think the only ones have been Rock'n'Roll Kids and Fly on the Wings of Love (both of which had more of an obvious gimmick than this song), and In Your Eyes (which had a bigger, almost screechy finish). So I wouldn't bet my house on it, but if there's any justice in the world there might just be celebrations rather than economic riots on the streets of Reykjavik in May.

Tuesday, February 3, 2009

Eurovision preview part 2 - Turkey

Hadise
Düm tek tek


"Baby, you're perfect for me
You are my gift from heaven
This is the greatest story
Of all times"


Always thought the nativity was over-rated.

Interesting that this was the only one of the batch selected so far that caught Andrew Lloyd-Webber's eye, although of course what really caught his eye was Hadise's bare midriff. Yep, it's another belly-dancing song from Turkey - but to be fair the EBU do recommend that countries incorporate elements of their culture into the song, and belly-buttons are always going to be marginally sexier than Whirling Dervishes. But the Sertab Erener formula is highly unlikely to work this time. The song completely lacks - and I'll have to use that word again - dynamism, and isn't even especially catchy. Barring an extreme makeover (quite possible of course), I can't see this making the final.

One (very minor) positive - it's nice to see a little bit of Turkish in the lyrics, even if it's only a token three words!

Monday, February 2, 2009

Eurovision preview part 1 - horizontal choreography?

Finland made its selection for Eurovision almost simultaneously with the UK, and this is what they came up with -


Waldo's People
Lose Control


I'm on a critical mission, got my destiny in my hands
Like Peter Piper I take control, put a spell on the mass
I cause hysteria, worry yourself, that's how I roll
It's not a drill, I'm for real, I'm a man who's out of control


As is refreshingly typical at the Eurovision, the above lyrics could be described as 'thought-provoking' and 'challenging' (ie. utter gibberish). Although needless to say I hand-picked what was easily the daftest bit! Perhaps an I Wanna-style makeover by a fluent English speaker is in order.

Of course the video probably bears very little resemblance to what we'll see on stage. Pity, really - we might have thought the contest had exhausted all the conceivable gimmicks over the years, but as far as I'm aware no previous act has utilised the obvious potential of fire, shopping trolleys, woolly hats and horizontal rapping in an anorak.

My thoughts - a very appealing song, moderately catchy, and although we haven't heard the bulk of the entries yet I suspect when we have I'll still think this deserves to qualify for the final. However, I fear it might lack the dynamism it needs to stand out and get the votes. Like the UK, Finland have almost four months to experiment and find the arrangement that will work best on the night.