Showing posts with label Eurovision prediction. Show all posts
Showing posts with label Eurovision prediction. Show all posts

Saturday, May 14, 2022

Thoughts on Eurovision 2022 (with a prediction)

Scot Goes Pop more or less started life as a Eurovision blog, so I try to keep that tradition going to a small extent every year with a little bit of Eurovision coverage.  Last year that came in the form of a podcast, and I was planning to do the same thing this year, but alas, the clock has beaten me.  There was an Alba NEC meeting this morning (which was a very upbeat affair, by the way), so I didn't dare burn the midnight oil too much with all the finickity edits that would have been required to get a podcast ready in time.  But instead, here's a blogpost with a few thoughts about what to expect from the grand final tonight.

In the podcast last year, I was looking ahead to a truly fascinating showdown between two entries - France and Italy - which were practically level in the betting, but which couldn't conceivably have been more different from each other.  That made the outcome very unpredictable, because it was hard to judge which way the juries would jump, or which way the public would jump, or indeed what the synthesis of those two results would look like.  This year it's a very different story, because we have an overwhelming odds-on favourite - on the betting markets Ukraine are estimated as a roughly 70% chance to win outright, which is pretty incredible in a field of 25 songs.  But there's still a really interesting story beneath the surface, because it's by no means clear that Ukraine is actually the best song.  I'd probably have it in my own top six or seven, but I'm not convinced that it's objectively better than the UK, or Italy, or the Netherlands, or even Estonia, which is absolutely nowhere in the betting but leaped out at me in the semi-final as a possible dark horse.

The reason Ukraine are strong favourites is, of course, that they have a decent song at a time of massive public sympathy across Europe for the country's plight.  So it's assumed they'll win the public vote comfortably, and I'm inclined to agree with that assumption.  But the public vote only accounts for 50% of the points, so it's still conceivable Ukraine could fail to win if the juries go heavily against them.  OK, even the juries are composed of human beings who may be influenced either consciously or subconsciously by outrage at the brutal, unprovoked invasion of a sovereign country.  But I recall back in 1993-4 that there was speculation that Bosnia-Herzegovina (then in the grip of a horrendous civil war) might win the contest on a sympathy vote, and that didn't even come close to materialising.  In those days, points were 100% determined by national juries.

Basically if Ukraine finish in the top three in the jury points, they should have enough public votes to power to victory.  But if they slip below the top three, it might be more of a challenge for them.  For what it's worth, the current betting for the jury vote alone has the UK ahead and Ukraine in second place.  That could conceivably be based on a leak of the actual results, because the jury vote took place last night on the basis of the performances during what is known as either a "rehearsal" or the "jury final".  So if it is a leak, we're perhaps looking at an overall Ukraine win - but I've lost count of the number of times people have assumed that movements in the betting markets were caused by leaks, and then been proved wrong.

The other big story here is that the UK, perennial also-rans in the contest in recent years, look like one of the two or three most probable beneficiaries if Ukraine stumble.  I'm not quite sure how to feel about that - I always used to wholeheartedly support the UK entry until about a decade ago, and then my attitude changed completely.  As we know, anything that creates a feel-good buzz about the UK "brand" can be potentially non-optimal for the Scottish independence movement.  Not that a UK Eurovision win would be a killer blow or anything remotely like that, but it would certainly be on the front pages of all the papers, and then there'd probably be a campaign to bring the 2023 contest to the Hydro in Glasgow (a campaign that would likely fail, so it would be a double-edged sword for the Better Together brigade).  However, although the UK are now clearly in the top three in the betting, they're still only rated as less than a 10% chance to win, so we probably shouldn't be panicking just yet.  

We may need to brace ourselves for the UK being in first or second place for long stretches of the scoring, though, because the public votes are only added into the mix right at the end. 

For what it's worth, here's my prediction, which is not a particularly radical one - 

Winners: Ukraine (Stefania - Kalush Orchestra) 
2nd place: Italy (Brividi - Mahmood and Blanco)
3rd place: UK (Space Man - Sam Ryder)

I'll actually be pretty happy if Ukraine win, because it would be the second year in a row that an entry sung entirely in a language other than English has come out on top - I think that would be a very good thing for the contest.  But a big talking-point after any Ukrainian victory will be whether it's feasible to actually host the 2023 contest in Ukraine - because for forward planning to take place, there would need to be stability.  There's a non-trivial chance that next year could be the first time since 1980 that the previous year's winners haven't hosted the contest.  (Israel won on home soil in 1979 but the Netherlands hosted in 1980, with Israel not even taking part.)

As I said earlier, Estonia and the Netherlands look like possible dark horses to me for tonight.  Estonia is the sort of song that would have easily stormed to victory twenty or thirty years ago - it's strongly anthemic, with a country tinge, a charismatic singer and a gimmick (he lugs a guitar around on his back).  It might be a value bet for a decent placing, at the very least.  And the Czech Republic entry is lifted by very eye-catching staging, which is probably why they've been given the opening slot in the running-order.

Saturday, May 12, 2018

Eurovision 2018: Prediction for Saturday's grand final

So I got a slightly patchier 7 out of 10 qualifiers right on Thursday.  The three I didn't pick out were the Netherlands, Serbia and Slovenia.  Country music isn't really my thing (as I discovered conclusively on a hellish trip to Millport circa 1995), so that's probably why I underestimated the Netherlands' chances, but I can see why they went through.  I'm delighted to have been wrong about Serbia, which sent an uncompromising piece of ethnic music in the Serbian language and deservedly didn't pay any sort of penalty.  I must say I have absolutely no idea how Slovenia managed to get through, but I suppose there always has to be one that leaves you scratching your head.  I know some people will shrug their shoulders and say "that's the Balkan bloc vote for you", but in fact Slovenia has traditionally benefited much less from neighbourly voting than the other ex-Yugoslav nations.

On to tonight, then.  Until a few days ago, it looked like this year's contest was going to be a simple case of working out whether the overwhelming favourites (Israel) would meet expectations, or would spectacularly fail on the night as quite a few overwhelming favourites have done in the past.  But, remarkably, Israel do not even go into tonight's final as favourites, because they were dramatically overtaken by Cyprus as the rehearsal videos started to filter through.  A couple of days ago, the betting odds seemed to be pointing towards a straight fight between Cyprus and Israel with everyone else as also-rans, but then Ireland stormed out of nowhere into a decent third place.

I'm not sure I can make much sense of all that.  I agree that Cyprus is a much more plausible winner than Israel, but it's just one of several strong songs/performances that are all roughly on a par with each other, so I can't understand why it's in quite such a commanding position in the betting.  My guess is that the Irish surge is due to a couple of factors - a) the favourable position in the draw, and b) the publicity over a Chinese TV station being banned from broadcasting Eurovision because they censored two men dancing together as part of the staging of the Irish song.  In other words, people seem to be putting their money on the story behind the song, rather than the song itself.  That can sometimes be a dangerous thing to do - if a story is enough, why didn't Bosnia come close to winning in 1993?

What I've just said makes it sound like I don't rate the Irish song.  In fact, the opposite is true - it's one of my personal favourites, and it's beautifully sung.  I just fear that it's too low-key to do much damage.  Just occasionally, very gentle songs can stand out so effectively among all the identikit screeching that they win by a mile - last year's Portuguese winner is an excellent example, of course, as is Ireland's own victory in 1994 with Rock'n'Roll Kids.  But for what it's worth, my gut feeling is that it probably won't happen this time.

My suspicion is that Cyprus will be in the mix tonight, but that their main competitors will not be Israel and Ireland, but Norway and Sweden.  I struggle to separate Cyprus, Norway and Sweden, but I think Norway (in spite of having the most irritatingly catchy song of the evening) is perhaps the least likely of the three to win if only because of its place in the draw.  Probably just as well, because the mind boggles as to how insufferable Alexander Rybak would become if he has anything more to be smug about.  Cyprus v Sweden is almost a coin-toss as far as I'm concerned, but I'll cop out and go with the conventional wisdom that Cyprus will win.  I expect it to be a close one, though.

Here's my full prediction -

Winners: Cyprus (Fuego - Eleni Foureira)
2nd: Sweden (Dance You Off - Benjamin Ingrosso)
3rd: Norway (That's How You Write A Song - Alexander Rybak)
4th: Estonia (La Forza - Elina Nechayeva)
5th: France (Mercy - Madame Monsieur)

Possible dark horses: Austria, Australia

UPDATE (7.20pm): Of course, another potential explanation for the sudden Irish surge in the betting is that the full results of Tuesday's semi-final (which are supposed to be absolutely secret until the end of the contest) might have been leaked.  Unlikely, but possible.  If so, it could be Dublin next year.

Thursday, May 10, 2018

Eurovision 2018: Prediction for Thursday's second semi-final

So I correctly picked eight out of the ten qualifiers in the first semi.  The two I overlooked were Austria and Ireland, which is really odd, because those are genuinely two of my personal favourites.  I should have had more faith, but I thought the Irish song would suffer from being low-key, and with Austria I don't think I got a full sense from the rehearsal videos of just how effective the staging was.  The live vocal was superb as well.  I still don't think Ireland will do any damage in the grand final, but Austria just might.

As for tonight, here are the ten countries I think will make it through -

Norway
Ukraine
Sweden
Hungary
Moldova
Russia
Denmark
Malta
Australia
Poland

Russia is my 'wildcard' pick out of that lot.  Most people expect it to fall short, and it may well do...but Russia are the kings of political voting, and political voting at the Eurovision most certainly isn't dead.

Tuesday, May 8, 2018

Eurovision 2018: Prediction for Tuesday's first semi-final

Yes, it's that time of the year again, and with non-heartfelt apologies to the handful of people who traditionally storm off in disgust at this point, here is the eleventh (gasp!) running of the annual ritual of the Scot Goes Pop Eurovision prediction.  As David Dimbleby used to say about the BBC exit poll, it's sometimes accurate...sometimes not so accurate.  2010 was my golden year when I got almost everything right, although I've correctly picked the winner for five of the last ten years.  Sometimes that was relatively easy because there's often an overwhelming favourite, but I've noticed over the years that overwhelming favourites for the Eurovision tend to go one of two ways - they either win by a landslide as expected, or they crash and burn and don't even get close to winning.  In a sense, the latter is what happened to last year's Italian song Occidentali's Karma (although admittedly by that point it had been caught in the late betting by Portugal).

This year, as you may know, there's once again been an overwhelming favourite over the last few weeks in the shape of Israel.  I must say I have my doubts about whether it will win, although I'd better be cautious in case my own personal tastes are interfering with my judgement.  But I have a suspicion that the juries won't go for it, and that it may even be a bit too 'challenging' for a lot of televoters.  [UPDATE: And I see in an echo of last year that Israel has just been unexpectedly displaced as bookies' favourite by Cyprus.]

I don't think Israel will have any great problem qualifying from tonight's semi, though.  In no particular order, here are the ten countries I think will make it through...

Estonia
Cyprus
Lithuania
Albania
Greece
Israel
Czech Republic
Bulgaria
Finland
Azerbaijan

Of those, the one I'm least sure of is Greece - although with Cyprus in the same semi, there's a guarantee of points from at least one source!

Saturday, May 13, 2017

Eurovision 2017 : Prediction for Saturday's grand final

When I thought ahead to making this prediction a few weeks ago, I imagined it would be the routine task of explaining why I was going along with the conventional wisdom by backing the overwhelming favourites Italy.  So it's a tad disconcerting to reach the day of the grand final and find that Italy are no longer the overwhelming favourites - in fact for a short period yesterday and today, they were no longer favourites at all, although they've now marginally overtaken Portugal again.  I do rate the Portuguese song (in fact I voted for it in Tuesday's semi), but I'm puzzled by the amount of people who see it as an outright winner.  An unusual back-story will only take a song so far in the public vote, and in theory the juries should be totally unmoved by that sort of thing.  There's always just the slight concern that the surge in the betting may be influenced by inside knowledge of how voting went in the semi, but I'm going to discount that theory and stick with my gut feeling - that Portugal is more of a natural third or fourth place, rather than a natural winner.

If it's not going to be Portugal, it surely has to be Italy.  Apart from being possibly the best song in the contest on its own merits, it's also got no fewer than three irresistible gimmicks in the shape of the "ale!" chant, the gorilla, and the silly dance moves.  One or two irresistible gimmicks have more than sufficed for previous Eurovision winners, so I strongly suspect Italy will at least win the public vote.  If so, the million dollar question is what the juries will do - and there is a genuine warning here from the Sanremo Festival (which doubled as the Italian national selection), where the song failed to win the jury vote by quite some distance, and indeed was only barely in second place.  So it's possible Italy may have to come from behind in the second stage of voting (as Ukraine did last year), but even if that's the case, I think they'll have just about enough public support to seal the win.

I've had a sneaking suspicion for a while that the betting may be underestimating Sweden somewhat - it's possible they may even outpoll Bulgaria on the public vote, although presumably the juries will favour the worthier Bulgarian entry.  I'm still baffled by the expectations that Belgium could be in the top five - it's a great song, but it's very low-key, and I thought the live performance in the semi was distinctly ropey.

Winners : ITALY (Occidentali's Karma - Francesco Gabbani)
2nd : BULGARIA (Beautiful Mess - Kristian Kostov)
3rd : SWEDEN (I Can't Go On - Robin Bengtsson)
4th : PORTUGAL (Amar Pelos Dois - Salvador Sobral)
5th : MOLDOVA (Hey, Mamma! - Sunstroke Project)

Possible dark horses : Croatia, UK

There's been an authentic buzz about the UK in a way there hasn't been for many a year, but I think the fears of political voting are more than just paranoia, especially this year of all years.  My guess is there'll be a respectable result on the jury vote, and then a rude awakening when the public vote is revealed.

Thursday, May 11, 2017

Eurovision 2017 : Prediction for Thursday's second semi-final

I'm a bit short of time, so this one will have to be a bare-bones prediction.  The ten countries I think will qualify tonight are...

Estonia
Netherlands
FYR Macedonia
Hungary
Romania
Israel
Austria
Denmark
Bulgaria
Belarus

Tuesday, May 9, 2017

Eurovision 2017 : Prediction for Tuesday's first semi-final

Well, I always hate to break a sequence, so for the tenth year in a row (gulp) here is the annual ritual of the Scot Goes Pop Eurovision prediction.  The ten countries I think will qualify from tonight's first semi-final are...

Portugal
Sweden
Australia
Moldova
Georgia
Slovenia
Finland
Greece
Azerbaijan
Armenia

Of the main favourites, the one I've left out is Belgium.  That'll probably come back to haunt me (it usually does when I leave out a favourite), but I've been slightly baffled from the start as to why it's so strongly tipped.  It's a decent song, but it's very low-key, and it looks like the rehearsals haven't been a rip-roaring success.

If you're looking for a small bet, you could do worse than Montenegro - not because I think it's likely to qualify, but simply because the odds are crazy.  It probably has around a 20-25% chance, not the 10% chance the odds would imply.  So it ought to be a value bet.

Saturday, May 14, 2016

Eurovision 2016 : prediction for Saturday's grand final

Well, this is all getting rather uncanny - I correctly predicted all ten qualifiers from the second semi-final, after getting the first one mostly right as well.  I'm bound to come a cropper at the final hurdle, but here goes anyway.

The majority of hot favourites at the Eurovision end up winning, but some narrowly fall short, and a significant minority end up on the bottom half of the scoreboard (as happened to France in 2011, for example).  I don't think the latter fate will befall the Russian song this year, but I do think it's a relatively weak favourite by recent standards.  For all the similarities to the winner from twelve months ago, it's formulaic and derivative where its predecessor was fresh and creative.  I find it hard to believe that the juries will place it top, so the big question is whether it'll at least be in the game at the end of jury voting.  If it's in the top three at that point, there must be a very good chance that the pro-Russian bloc in the televoting will push it to victory.  In fact, here's a betting tip, if you're that way inclined - if by any chance the juries do have Russia in first place, pretty much any in-play odds on Russia to win would be worth taking, because it'll be about as close to free money as you'll ever get.

However, I have a sneaking suspicion that Russia may take a real pounding with the juries, in which case the song favoured by the juries would probably only need to finish second in the televoting to be guaranteed of victory.  The snag is, though, that jury voting is much harder to read in advance than televoting, and so it's hard to know for sure which song is most likely to emerge from the pack.  All I can say is that my own view after watching the semi-finals (and also some of the rehearsal footage) is that Australia have the strongest song in the contest, and they definitely have the finest singer.  So logically I have to conclude that the juries would be most likely to plump for Australia, a song which I also think could do reasonably well in the televoting.  Without an enormous amount of conviction, then, I'm predicting an Australian victory.

One obvious problem with trying to work out whether the conventional wisdom overestimates or underestimates a song's chances is that personal taste can interfere with the radar.  In this case, my instinct is that France, Ukraine and Sweden have been overestimated and that Belgium, Malta and Bulgaria have been slightly underestimated.  But I watched the whole of the Melodifestivalen final and was baffled by the winner, so it could be that I'm missing something about the Swedish song that most other people can see.  Perhaps I'll be surprised again, but I'm going to stick with my gut feeling and say that it'll be outside the top five.  I'm more confident in predicting that France will fall short of expectations - I like the song a lot, but I just don't see anything at all in it that will make it stand out.  It's the sort of entry that has finished a routine fifteenth in previous contests, so I'm not quite sure what all the fuss has been about.

My initial feeling after Thursday's semi was that Belgium might be headed for the top three, but their hopes have taken a slight hit after being placed right at the start of the running-order.  But first is better than second, and it's so different from everything that'll come afterwards that people will probably still remember it by the end of the show.  Conversely, the Maltese song won't stand out as much, but it's extremely well performed and has an enviable draw.  I expect Bulgaria to be in the mix because the juries will probably recognise its quality - I'm not so sure how it will fare with the public, though.

So this is my best guess as to how it will shake out -

Winners : Australia (Sound of Silence - Dami Im)
2nd : Russia (You Are the Only One - Sergey Lazarev)
3rd : Malta (Walk on Water - Ira Losco)
4th : Belgium (What's the Pressure - Laura Tesoro)
5th : Bulgaria (If Love Was a Crime - Poli Genova)

Possible dark horses : Israel, Netherlands, Italy

If Australia do win, in one sense it'll be great for the contest, because musical quality will have unexpectedly won out over the do-it-by-numbers approach.  But in another sense it'll be a bad outcome, because it'll draw attention to the fact that the contest's status as a European event has been hopelessly undermined over the last couple of years.  I haven't bothered to check this year's rules in relation to Australia, but I presume it's still the case that if they win, they won't be allowed to host the contest next year, and will instead have to pick a European country to 'partner' with.  That may be the UK's only hope of hosting the Eurovision in the foreseeable future, although I have a feeling Australia might want to avoid any impression of mutual Anglo-Saxon back-scratching, and would go for a more left-field choice instead.

By the way, I'll be voting for Austria.  The decision has been made for me.  I have a personal rule that I only vote for songs performed entirely in a language other in English, and Austria is literally the only one left!

Thursday, May 12, 2016

Eurovision 2016 : Prediction for Thursday's semi-final

After my success in correctly predicting nine out of ten qualifiers in the first semi, let's see how spectacularly I can fall from grace in round two.  Here are the ten countries I think will make it through tonight...

Ukraine
Latvia
Serbia
Bulgaria
Israel
Australia
Belgium
Poland
Lithuania
Georgia

I couldn't make up my mind between Georgia, FYR Macedonia and Norway for the final spot.  I almost plumped for FYR Macedonia on the basis that they usually get through even when their song isn't up to much, but then I realised that they don't really have many neighbours voting tonight - just Serbia and Albania (although admittedly that could still make all the difference).

Once again, I'll be looking out for a live performance strong enough to challenge Russia in the grand final.  The only one that leapt out at me as a possibility on Tuesday night was Malta (and you can guarantee Ira Losco will wangle a few bonus votes from being a) pregnant and b) the girl who was robbed in 2002).

Tuesday, May 10, 2016

Eurovision 2016 : Prediction for Tuesday's semi-final

I'm very late in the day with this annual ritual, so it'll have to be a bare-bones prediction.  Here are the ten countries I think will make it through tonight...

Russia
Malta
Armenia
Czech Republic
Cyprus
Hungary
Bosnia-Herzegovina
Netherlands
Iceland
Austria

Probably Austria is the most doubtful of those ten, but I certainly hope it sneaks through for the sake of variety - it's one of only three songs tonight either wholly or partly in a language other than English.  (It's in French, strangely enough.)

It'll be interesting to see how all of the entries come across on screen, but at the moment I'm struggling to see past Russia as the overall winner of the contest.  Some people think France are in with a shout, but as much as I like that song, it reminds me of entries that have finished well outside the top ten in the past.  It's pleasant, but it doesn't jump out of the screen and demand attention.

Saturday, May 23, 2015

Eurovision 2015 prediction : Saturday's grand final

I must report that I still haven't made up my mind whether I'm going to be watching the final live tonight. I'm trying to work out whether I would be slightly more annoyed with myself for missing out on Eurovision night for the first time in twenty years, or for not using a ticket I spent good money on. Whichever way I jump, I'm really going to have to get my diary in order from now on - for the last week, I somehow seem to have had it in my head that I was going to simultaneously be in two different places. That's almost as challenging a concept as Alistair Carmichael being blissfully unaware of a leak that he personally authorised.

The biggest thing I took away from Tuesday and Thursday is that if Sweden are going to be beaten, the challenge is unlikely to come from any of the other songs we saw in the semis. You could just about make a case for Russia, who I'm sure must have won Tuesday's semi by a clear margin, but I don't think they hold quite enough aces. So the chances are that either we're heading back to Stockholm/Gothenburg/Malmö next year, or that one of the seven pre-qualified countries will step up to the mark.

On that front, we can safely discount the UK, France, Austria and Germany. In theory Spain have a very strong entry, but there's a growing consensus that their live rehearsals just haven't been cutting the mustard. That only leaves Australia and Italy. I've had a couple of looks at the YouTube video of Australia's rehearsal, and I must say I'm a bit underwhelmed. I may be missing something, because of course rehearsal videos don't show what the cameras on the night will be picking up, but there doesn't seem to be anything particularly eye-catching about the staging. Is the song strong enough to win on its own merits, without gimmicks or tricks? I'm not so sure. It's very, very catchy, but unlike Sweden (or indeed Russia) it doesn't burst out of the screen at you, and it doesn't build up to a big finish. So I'm inclined to say it's probably going to fall short, and I wouldn't be totally surprised if it ends up much further down the leaderboard than anyone thinks possible at the moment.

Italy is a trickier one to judge, because it's one of the most distinctive entries, and it has a dream place at the end of the running-order. If viewers do go for it, they might just go for it big, and for that reason I'd say it's the entry with the best chance of beating Sweden. But I also think the more likely scenario is that viewers won't go for it big, in which case it might not even finish second or third.

So by a process of elimination, I just can't see past Sweden as the probable winners. Here's my wild guess as to how it might turn out -

Winners : Sweden (Heroes - Måns Zelmerlöw)
2nd : Russia (A Million Voices - Polina Gagarina)
3rd : Serbia (Beauty Never Lies - Bojana Stamenov)
4th : Italy (Grande Amore - Il Volo)
5th : Australia (Tonight Again - Guy Sebastian)

Possible dark horses : Montenegro, Cyprus, Slovenia


Although Heroes isn't really my cup of tea, I do have a soft spot for Måns Zelmerlöw, who sang one of my favourite Melodifestivalen songs of the last ten years. I'll never understand why Cara Mia didn't make it through in 2007.

Now, then.  This isn't a recommendation, because I wouldn't want to be responsible for anyone losing money, but I've just spotted that Betfair are offering 8/1 on Montenegro finishing in the top ten. That must surely be a value bet, because it implies they only have a one in nine chance of pulling it off. Remember they have a big name singer, a songwriter with an unparalleled Eurovision pedigree (four previous entries and none of them have finished lower than sixth), and they'll also have the Balkan bloc vote behind them.

Wednesday, May 20, 2015

Eurovision prediction : Thursday's semi-final

This is definitely the stronger of the two semi-finals - not only does it include the outright favourite to win the contest (Sweden), but it also features my own two personal favourites in Ireland and Montenegro.  I think Montenegro should be safe enough, but it's going to be touch-and-go for Ireland - they have a low-key song, and a terrible draw.  I'll go with my heart and say that the juries and some neighbourly voting from the UK will save their bacon.

Here are the ten countries that I think will make it through -

Norway
Malta
Ireland
Cyprus
Sweden
Lithuania
Azerbaijan
Latvia
Montenegro
Slovenia

Tuesday, May 19, 2015

Eurovision prediction : Tuesday's semi-final

Let me start by making my annual public service announcement.  This is the TWENTY-SEVENTH consecutive year in which there is no Scottish involvement in the UK Eurovision entry.  Both France and Cyprus have been represented by Scots more recently than the UK has.  The 'Union Dividend' in action, folks.

If you go back far enough, Scotland does have a bit of a Eurovision pedigree.  The 1972 contest was hosted at the Usher Hall in Edinburgh.  Lulu won in 1969 as a singer, and Bill Martin won in 1967 as a songwriter (with Puppet on a String).  But in recent decades we might as well not have existed.  It's hard to see that changing until independence - the UK entry has become the de facto England and Wales entry.

So is it any wonder that I identify more with the Irish entry these days?  Until a few years ago, we were at least given some kind of 'ownership' over the UK entry by having the chance to vote in the national selection, but even that has been taken away.  Nowadays, the Irish selection is the only one that UK residents can vote in (courtesy of a technological loophole).  Although the political situation has meant that I haven't been following the national final season as closely as usual, I made sure I cleared the decks one Friday night in late February, and watched the epic Irish selection in its entirety.  I really enjoyed it - happy memories flooded back of the good old days of watching A Song for Europe.  It had a bit of everything - three very closely-matched songs, tactless comments to the competing Swedish band ("Who's the President of Ireland?  Wrong guess, it's Michael D Higgins, lovely man.  You've got to learn these things."), and an outcome that remained an enigma until the very last votes had come in.  I didn't vote for the winner, but in retrospect I wish I had done - Playing with Numbers has grown on me with every listen, as you may have noticed from a blogpost title the other day.  It's now just about my favourite song in the whole contest.  By contrast, I liked the UK entry the first time I heard it, but it's progressively got more and more on my nerves as time has gone on.

I don't think 2015 is a vintage year by any means, but it does have the immense saving grace of a song penned by Željko Joksimović, who has surely now supplanted Johnny Logan as the true "Mr Eurovision". And although I didn't really approve of the gimmick of giving Australia a one-off berth in the contest, it's actually worked out quite well, because they have one of the best songs (arguably a potential winner).

Anyway, to business. Having hurriedly caught up with the rehearsals on YouTube, here are the ten countries that I think will qualify from the first semi-final -

Greece
Russia
Moldova
Albania
Georgia
Romania
Belgium
Estonia
Belarus
Armenia


I doubt if there's an outright winner in there, but Estonia is probably the pick of the bunch. The studio version of the Moldovan song is a thing of brilliance, but unfortunately the singer's live performance seems a bit ropey.

Saturday, May 10, 2014

My prediction for the Eurovision final

I absolutely bloody loathe country music.  One fine sunny day when I was a teenager, my sister and I took some American relatives to Millport for an outing, not realising there was some kind of country-and-western festival taking place.  With the sea as the only possible means of escape, it was pretty much my idea of hell on Earth.  I literally walked two miles round the back of the island to try to muffle the excruciating noise of Tammy Wynette songs blaring out from a big tent, but to no avail.  So as you can imagine, I was less than enthused when I heard that the Netherlands were entering a country-flavoured song for this year's Eurovision. Strangely enough, though, I think the Common Linnets may just be the acceptable face of country music.  I've listened to their song several times without having my customary allergic reaction, and (whisper it gently) I think I may even really like it.  I'm not the only one - there have been impressive download sales since the semi-final on Tuesday, and the Netherlands have come out of nowhere to sit tonight as joint second-favourites with many of the bookies.  So could they pull it off?  It would be the most improbable winning entry in years and years, but that very distinctiveness is exactly what gives it a real chance.

Terrifyingly, this is the seventh annual Scot Goes Pop Eurovision prediction - just to prove it, here's the first one from 2008.  Of the previous six predictions, I've got the winner right four times, albeit admittedly two of those were extremely obvious runaway winners.  This year certainly isn't going to see one of those - Sweden are the favourites as of this moment, but only by a tiny smidgeon.  To make the picture even more unclear, most of the experts (of both the real and self-appointed variety) who have been watching today's rehearsals and jury final are more or less writing Sweden off.  I do wonder if there's some kind of group-think at play there - you don't have to actually be in Copenhagen to know that Sanna Nielsen's performance in the final is likely to be very similar to her performance in the semi-final, which came across extremely well on screen.  However, the most important point that has been made today is that Sweden's closeness in the running order to Austria is likely to harm both countries.  Indeed, two songs of a vaguely similar type being regarded as strong contenders would be potentially harmful for both regardless of the running order.

Talking of Austria, if anything Conchita Wurst made an even bigger impact in the semi-finals than the Common Linnets, and was the outright favourite for a while last night with Paddy Power.  I must say I don't quite see it myself - I think it's perfectly conceivable that Austria could win the televote, but I just can't imagine the juries (who have 50% of the vote) placing Rise Like a Phoenix even close to top.  Conversely, I suspect the juries will rate the Netherlands and the UK very highly, and the chances of victory for those two songs will depend on them finishing no worse than about third or fourth in the televote.  Highly favourable slots in the running order (the UK are last, and the Netherlands are third from last) means there should be every chance of that happening.

The other entry that looks like a plausible winner to me is Ukraine - I don't like the song that much, but the staging is absolutely sensational.  It reminds me a little bit of the inspired staging for Ani Lorak back in 2008, which of course helped Ukraine secure a strong second place.  However, I suspect the running order has killed their chances this year - they'll be the very first out of the blocks.

So that leaves me with three possibilities - Sweden, the Netherlands and the UK.  If you'd asked me 24 hours ago, I would have slightly favoured Sweden, but I've since taken the point about the similarity with the Austrian song on board.  The UK and Netherlands songs (in particular the latter) have the benefit of being completely different from the rest of the field, and when you factor in their better positions in the running order, they do start to look like more probable winners than Sweden.

But which one of the two?  In a strange way it's easier to think of arguments against both of them than it is to think of arguments in favour.  Try as I might, I find it really hard to imagine a song as understated as Calm After the Storm winning outright, and although I liked Children of the Universe when I first heard it, I've found that it doesn't bear repeated listens quite as well as some of the other entries (including Sweden, interestingly enough).  However, by all accounts both the Netherlands and the UK went down a storm at the jury final tonight.

For better or worse, this is the prediction I've come up with.  Click on the song titles to watch the video of the semi-final performances (or the rehearsal performance in the case of the UK).

Winners : UK (Children of the Universe by Molly)
2nd : Netherlands (Calm After the Storm by The Common Linnets)
3rd : Sweden (Undo by Sanna Nielsen)
4th : Austria (Rise Like a Phoenix by Conchita Wurst)
5th : Ukraine (Tick-Tock by Mariya Yaremchuk)

Possible dark horses : Greece, Denmark, Romania

Although this is an honest prediction, there's also a devil in me that hopes the UK won't win just because I've said they will.  For the avoidance of doubt, I don't think the Yes campaign would be in any way harmed by one night of Brit Nat crowing about a Eurovision victory and how it's yet more "proof" that Scotland can't succeed on its own merits, but it would be a rather tiresome spectacle all the same, and one that we could probably all do without.  I do have a long history of supporting the UK at Eurovision, but on this particular occasion I'll be keeping my fingers crossed for the Netherlands and Sweden (well, my heart is with Slovenia, really, but I don't think they've got much of a chance).

Whatever happens in September, this won't be the last time that Scotland is nominally represented by a UK entry at Eurovision, but it will be the last time that we don't know whether that state of affairs is about to come to a long-overdue end, or will persist for countless more years.  I find that a rather scary thought.

Bizarrely, there was a YouGov poll the other day that asked the UK public how many points they thought Ukraine would give Russia this year.  By far the most popular choice was no points at all.  That completely misses the point of how neighbourly voting works - there's a huge Russian-speaking population in Ukraine (not least in the Crimea, which will still be voting as part of Ukraine), and they're the ones who vote for Russia year in, year out.  With support for the other entries split, I would imagine that Russia may well win the Ukrainian televote again.  The jury will dilute the effect of that, but I'd be absolutely astonished if Ukraine don't award Russia at least some points, and probably quite a few.

Thursday, May 8, 2014

My prediction for Thursday's Eurovision semi-final

This is the weaker of the two semis in the sense that it doesn't feature any of the favourites, but it perhaps has more strength in depth, and it's certainly the much harder one to predict. Of the fifteen entries, I think basically everyone but Georgia has got some kind of chance of progressing. I eventually managed to come up with a list of ten that I was reasonably happy with, and then I realised that I had left out Switzerland and Ireland, who instinct tells me are both likely to sneak through. But I compared those two entries with all of the ten I have on my list, and I just can't see who should drop off. So I'll stick with logic and leave Switzerland and Ireland out, even though it doesn't feel quite right.

Near certainties :

Israel
Norway

Fairly likely :

Greece
Romania
Austria

I'm not at all sure about these but I'll have a punt :

Malta
Poland
Macedonia
Slovenia
Finland


That would mean Switzerland, Georgia, Belarus, Lithuania and Ireland all missing out. I hope I'm wrong about Ireland, because it's the song I feel the strongest connection to, having voted for it in the barking mad Irish national selection a couple of months ago (it almost ended in a fist-fight!).

The UK votes in this semi, and that presents me with another dilemma. I normally follow a personal rule of only voting for songs with exclusively non-English lyrics, but for the first time ever it's literally impossible to do that. So I'll have to plump for one of only three songs that are at least partly in a language other than English, namely Israel, Slovenia or Poland. I have a feeling that it'll be Slovenia, by a process of elimination.

Tuesday, May 6, 2014

My predictions for Tuesday's Eurovision semi-final

Marcia is quite right - it's high time for Scot Goes Pop to revert to being a Eurovision blog for a good few days (albeit a Eurovision blog that reserves the right to immediately drop everything if a new referendum poll is published!).  I must say I'm a touch underwhelmed by the standard this year - there are certainly songs that I like, but not a huge number, and there's nothing that has really got under my skin in the way that I Feed You My Love and Crisalide did last year.  However, if you go back to virtually every Eurovision that took place up to and including the year 2000, there were rarely more than a tiny handful of good songs, and yet the contest was still a great spectacle in a variety of other ways (the utter chaos of Rome 1991 being my own favourite example), so hopefully that will be the case again this time.  I do worry that the semi-finals may drag a little more than in recent years, though.

Of course what any Eurovision fan looks out for in the line-up of entrants is old favourites from the past, and as usual there are a few.  Most obviously, Valentina Monetta (aka "the only singer in San Marino") is representing her country for a third year in a row. I would imagine that must be some kind of record - Peter, Sue and Marc famously represented Switzerland four times in the 70s and 80s, but not in consecutive years.  Monetta's first two entries couldn't have been more different, which is odd because they were both written by Ralph Siegel.  The first was an excruciatingly awful - but strangely compelling - novelty song about Facebook, while the second was the aforementioned Crisalide, a powerful pop ballad which in my opinion ought to have been a strong contender to win the whole contest, but which ultimately failed to even make it out of the semi-final.  I'm relieved to say this year's effort Maybe is much closer to being in the Crisalide mould, but it's considerably blander, so logic would suggest it probably isn't going to make it through.  Strangely enough, though, it's still one of my six or seven favourite songs in the contest - it's got the slightest hint of a "60s/70s Bond theme" vibe to it.

Also returning - although we won't see them until Thursday's semi - are Romania's Paula Seling and Ovi, who finished third in the contest back in 2010 with the song Playing With Fire (which I seem to remember Doug Daniel saying was just about the best Eurovision song he'd ever heard).  This year's entry Miracle doesn't have quite such a strong hook, but it's still got tonnes of energy, and up against an unusually weak field it wouldn't completely surprise me if Romania sneak into the top five again.

And last but not least we have Sweden's Sanna Nielsen, who has never actually appeared at Eurovision before, but who has nevertheless been associated with the contest for years and years due to her multiple attempts to win Melodifestivalen - a massive annual Swedish television event in its own right, but which doubles up as the Eurovision national selection.  (Although she came closest in 2008 with Empty Room, the one that sticks in my mind the most is Du Och Jag Mot Världen in 2005 - and she certainly looked a bit different back then!)  Not only did she finally seize the Melodifestivalen crown this year with Undo, but she's also rated by the bookies as one of only two entries with a serious chance of winning Eurovision.  The other is Armenia, which I've listened to a number of times and somehow can't quite picture as a winner - I think the style of the song is going to divide opinion too much.  So almost by default I've come to the conclusion that Sanna Nielsen will probably emerge victorious.

In many ways, that wouldn't be great news for the contest, because it would mean a third Scandinavian winner in a row, and the second Swedish win in three years.  However, maybe my expectations will be different after watching the semi-finals, and there's always a chance of a slightly weaker song coming out of nowhere to win on the basis of some inspired staging, as Latvia did in 2002 and Azerbaijan did in 2011.

So here's my prediction for the ten qualifiers from tonight's first semi...

Near certainties :

Sweden
Armenia
Ukraine
Hungary

Fairly likely :

Estonia
Azerbaijan
Russia

I'm not at all sure about these but I'll have a punt :

Montenegro
Netherlands
Iceland

That would mean San Marino, Latvia (who are singing a song about baking a cake), Belgium, Portugal, Moldova and Albania all missing out.  Of those six, probably Belgium are the most likely to make it through - it's an intensely irritating song, but it does have a big finish.  In my personal opinion San Marino, Portugal and Albania all thoroughly deserve a place in the final, but I just can't see it happening unless the juries go for them very heavily.

Marcia pointed out the other day that everyone's new favourite Tory astroturfing campaign 'Vote No Borders' were tragically too late to put forward Flowers of the Union as the UK's Eurovision entry, although of course we shouldn't entirely exclude the possibility that Children of the Universe was originally entitled Children of the United Kingdom before falling foul of the EBU's rules on political lyrics.  But it set me thinking about previous Eurovision songs that extolled the virtues of Europe as a united entity - perhaps those could have provided some kind of model for our anti-independence friends?  Take for example the Irish entry from 1990, which managed to finish joint second mainly by name-checking pretty much every country in western Europe...

"Don't you remember those Adriatic days?
I miss your laughter and all your little ways
I can still see you in London, walking on Trafalgar Square
And drinking wine in Old Seville, how I wish that we were there

Meet me in Paris on a Champs Élysées night
We could be in Rome again, 'neath the Trevi fountain light
We should be together, maybe we just might
If you could only meet me somewhere in Europe tonight"

A Rory Stewart twist on that song might have reminded us that the 'baa' noise that sheep make in Lanarkshire is uncannily similar to the 'baa' noise that sheep make in Lancashire, before building up to this rousing chorus -

"So I've driven all the way from Penicuik to Hull
Oooh yeah baby, just to get it through your skull
That I don't really care where you hold my hand
Just so long as it's somewhere in the Middleland"

* * *

Sticking to a musical theme, you might remember that at the end of Celtic Connections I mentioned a band called The Cask, who were brave enough to perform a song at the Danny Kyle Open Stage that explicitly called for a Yes vote in the independence referendum. Well, Michael McElligott (who wrote the song) got in touch with me the other day to mention that he's just made a studio recording of it. I've had a listen, and it's rather wonderful. I'm not sure whether I was being given permission to post the sound file here, so to be on the safe side I'd better not, but it'll be available on iTunes soon. Be sure to look out for it - it's called Make Alba Shine.

Saturday, May 18, 2013

Eurovision 2013 : Prediction for Saturday's final

It's become traditional at this time of year for me to say "oooh, this is a tough one", but actually I don't think it is this time, at least in terms of guessing the winner. I don't really get the hoo-ha over Denmark (admittedly the staging is very effective), but sometimes a consensus is just so overwhelming that you have to accept it's probably right. This is, after all, a popularity contest. So I suspect Eurovision is heading back to Copenhagen, which offers us a neat symmetry given that Denmark were also the winners the last time the contest was held in Sweden.

But who will finish second? That's much more problematical. The bookies suggest it will be a close fight between Ukraine and Norway, but the more I've thought about it, the more I've come to the conclusion that the Ukrainian song is slightly overrated (I still expect it to be in the top six or seven). Until about an hour ago, I was firmly of the view that the true contenders for the runner-up spot were Russia and Norway. Both had points in their favour - the Russian song is perhaps more televoter-friendly and has the inbuilt advantage of the ex-Soviet bloc vote, while Norway has the better draw and is more jury-friendly (ie. it's the best song left in the contest in my opinion). On balance, I reckoned that favoured Russia slightly.

But now I've seen the German dress rehearsal and I'm totally confused again. If that performance beguiles the audience in the way I think it might, in a sense it kills both Russia and Norway - it kills Russia because it's the very next song in the running-order, and it kills Norway because it's a similar type of music. On the other hand, I still can't help thinking back to all those occasions when strong dance tracks have fallen flat on their face at Eurovision (that was the main reason I was sceptical that Loreen would win last year). Another possibility is that the vote could be evenly split between Germany and Norway, allowing Russia to come through the middle. Who knows, so I'll just have to make a wild guess.

The Netherlands is one of those entries that is pretty much guaranteed a very strong 'niche' vote that will fall short of outright victory - my guess is it'll slot in somewhere between about fourth and seventh. The wildcard this year is of course Finland, replete with its wedding dress, lesbian kiss, and lyrics that are so un-feminist that James Mackenzie deleted them to enhance the debate. There was a time, not so long ago (2002, in fact) when gimmicks like that would have been more than sufficient to win the contest. I think we've moved on from those days, but time will tell.

So here's what I've got...

Winners - Denmark (Only Teardrops - Emmelie de Forest)
2nd - Russia (What If - Dina Garipova)
3rd - Norway (I Feed You My Love - Margaret Berger)
4th - Germany (Glorious - Cascada)
5th - Netherlands (Birds - Anouk)

Possible dark horses - Iceland, Finland, Ireland


As for me, I'll be sticking to my non-English language rule and voting for Iceland (or possibly Estonia, which I slightly regretted not voting for in the first semi), but my heart will be with Norway all the way. This is the third year in a row that I won't particularly be cheering on the UK, mainly because the internal selection means that I don't really feel I have any stake in the entry. Weirdly, Fraser Nelson has a lengthy piece in the Spectator on that very subject, in which he makes a number of points that I've made before myself - for example that Jonathan King, for all that he is a thoroughly objectionable human being, was the last person who actually had a well-thought-through plan for finding the right UK entry. I think Nelson takes his argument to an extreme, though - it's not as if an internal selection process is in some way 'un-Eurovision'. (The great French ballads of the early 2000s were internally selected, for instance.) And I think passing the contest onto ITV or Sky would be a terrible idea - say what you like about the BBC, but at least they faithfully broadcast both semi-finals every year, which I'm not sure ITV or Sky could be trusted to do.

The real step forward would of course be for Scotland to have its own entry. Hopefully only three more years to go...

Thursday, May 16, 2013

Eurovision 2013 : Prediction for Thursday's semi-final

I got seven out of ten right on Tuesday, which is probably roughly par, given that no-one in their right mind would have predicted Lithuania's success. I can just about understand how Belgium made it through, but Belarus remains a mystery. Perhaps it was the big silver egg hatching open to reveal a half-naked woman that did the trick? Who knows. But I was delighted to see that my fears about Ryan Dolan's live performance were totally unfounded, which means Ireland must now be in with a great chance of a top ten finish on Saturday night.

Watching Russia and Ukraine perform back-to-back brought home to me that not only is Russia the better of the two songs, it also has a greater impact as a performance. A simple catchy tune, a massive key-change, lyrics about world peace...yes, I think the Russians have bought the manual. So while the bookies may yet be proved right about Denmark being the likely winners, I have a feeling they may have the wrong country in second place.

If I'd been voting 'honestly', I probably would have plumped for either Russia or Ireland (it would have been a close call), but as I've mentioned in previous years I have a personal rule of only voting for entries sung entirely in a language other than English. So that left me scratching my head about whether to vote for Estonia, Moldova or Cyprus. In the end I went for Moldova on the somewhat illogical grounds that they were the same performers who last year brought us the insane genius of "you have never been to my show, you haven't seen before how looks the trumpet".

As you'd expect, Swedish television produced a much slicker show than some of their counterparts have managed in recent years. It was a great idea to have just one presenter and therefore dispense with the customary scripted flirting, although I'm not sure Petra Mede was the ideal choice as sole host. Her English diction is undeniably exemplary, but surely there's more to life than diction? All in all, though, I enjoyed the show far more than I expected to, partly because my expectations were fairly low. A number of the songs seemed better than I remembered somehow.

Here's hoping for more of the same tonight. These are the ten countries that I think will go through -

Iceland (Ég á Líf - Eythor Ingi)
Azerbaijan (Hold Me - Farid Mammadov)
San Marino (Crisalide - Valentina Monetta)
Norway (I Feed You My Love - Margaret Berger)
Georgia (Waterfall - Nodi Tatishvili and Sophie Gelovani)
Finland (Marry Me - Krista Siegfrids)
Greece (Alcohol is Free - Koza Mostra featuring Agathon Iakovidis)
Armenia (Lonely Planet - Dorians)
Malta (Tomorrow - Gianluca Bezzina)
Switzerland (You and Me - Takasa)


I hope I'm wrong and that Israel make it through at the expense of one of the above ten (well, except Norway or San Marino), but I have a feeling it may be too uncompromisingly intense an entry.

Tuesday, May 14, 2013

Eurovision 2013 : Prediction for Tuesday's semi-final

'Fraid so - it's that time of year again. Without wanting to put you off before we even get started, I don't think this is a vintage year by any means in terms of musical quality. As far as I can see, there are only really two class entries in the field - Norway's Margaret Berger with I Feed You My Love, and San Marino's Valentina Monetta with Crisalide (Vola). If there was such a thing as a 'most improved entrant' competition there could only be one winner, because - astonishingly - the superb San Marinese song is brought to us by the same combination of singer and composer that was responsible for last year's cringe-inducingly awful novelty entry The Social Network Song (Oh Oh - Uh - Oh Oh), which failed to qualify for the final after limping to 14th place in the first semi. Incidentally, if by any chance San Marino win it would be the first victory for a micro-nation since Severine won for Monaco in 1971 - a result that led to Edinburgh staging the 1972 contest after Monaco passed up the chance.

But cream rarely rises to the very top at Eurovision, so you won't be surprised to hear that neither Norway nor San Marino are tipped to win. Instead the bookies are favouring Denmark and Ukraine, very much in that order. I can just about see the appeal of the Ukrainian song, but I must admit Denmark is leaving me cold (which is a reversal of last year, when I thought Denmark deserved a far better result than they got, or ever seemed likely to get).

There are a number of other songs that are very pleasant to listen to, for example Iceland and Russia. I've got a particularly soft spot for Only Love Survives by Ryan Dolan, which I managed to vote for in the Irish national final. However, if that final is anything to go by, the live performance may prove to be something of a problem for Ryan. There's also the slightly peculiar Dutch entry, which isn't my cup of tea, but could easily have been a 1960s James Bond theme song if it had been written fifty years ago.

One huge positive about this year's contest is that almost half of the entries (17 out of 39) are sung in a language other than English. The fact that this has happened without any change in the rules, and without there having been a non-English winning song since 2007, is pretty remarkable.

Down to business, then. In no particular order, here are the ten entries that I think will qualify from Tuesday's first semi-final -

Croatia (Mižerja - Klapa s Mora)
Netherlands (Birds - Anouk)
Estonia (Et Uus Saaks Alguse - Birgit Õigemeel)
Ireland (Only Love Survives - Ryan Dolan)
Ukraine (Gravity - Zlata Ognevich)
Cyprus (An Me Thimasai - Despina Olympiou)
Serbia (Ljubav Je Svuda - Moje 3)
Russia (What If - Dina Garipova)
Denmark (Only Teardrops - Emmelie de Forest)
Moldova (O Mie - Aliona Moon)

Saturday, May 14, 2011

Eurovision 2011 prediction : the final

Welcome along to my fourth annual attempt to predict the result of the Eurovision Song Contest final. Now, as I may possibly have made reference to once or twice before, I successfully picked the winner in 2008, 2009 and 2010 - and for good measure I got the top three in the correct order last year. So what does that tell you? Yup, that's right, it tells you that the law of averages is about to kick in and as a result I'm going to fall flat on my face. But am I deterred? Pah! Not a bit of it.

To my mind the three class songs in the field are France, Germany and Hungary. The fact that 50% of the vote goes to juries comprised of musical professionals should mean that the cream has a fair chance of rising to the top this time, but even so I think we can safely rule Hungary out of contention. Kati Wolf's vocals have been a wee bit shy of perfect, and in any case dance tracks have such an atrocious record in the public vote that I'm not sure even a good placing with the juries will be able to save her.

As I mentioned when I ventured my pre-rehearsals prediction a few weeks ago, I think the puzzle at the heart of this Eurovision is whether France will win by a country mile, or won't win at all - I don't think there's going to be a middle way. I'm not really any closer to solving that puzzle, and if younger televoters don't go for the song, it wouldn't completely surprise me if France finished well down the leaderboard. But the next question is "if not France, then who?", and having watched the semi-finals and seen some of the rehearsals, no-one is really leaping out at me. The obvious answer a couple of weeks ago might have appeared to be the UK's Blue, but the general view is that they've been underperforming. Jedward are clearly going down a storm for Ireland assisted by some inspired staging (and also by the fact that the "backing" vocalists are doing the singing for them), but it's hard not to feel that the juries will mark them less favourably than the public. So, almost by default, I'm plumping for France as the winners, but without a huge amount of confidence. Here is my top five...

Winners - France (Sognu - Amaury Vassili)
2nd - Germany (Taken By a Stranger - Lena Meyer-Landrut)
3rd - Ireland (Lipstick - Jedward)
4th - UK (I Can - Blue)
5th - Denmark (New Tomorrow - A Friend in London)

Possible dark horses - Austria, Estonia


Of the obvious favourites, I've left out Azerbaijan simply because I don't think the song is strong enough, although it certainly can't be discounted altogether because it's beautifully staged and choreographed. I changed my mind at least five times about whether to have Denmark or Austria in fifth place - Austria have the better singer and a more favourable draw, but I think the anthemic Danish song is slightly more memorable.

I have Lena of Germany pipping Jedward to second place for a couple of reasons - we know from past experience that she'll nail the vocals on the night, and she'll probably be preferred by the juries. But for all that and everything, Taken By a Stranger is such a laid-back, offbeat, ice-cool entry that I just struggle to see it winning Eurovision outright. So I suppose what I'm saying is that if France do falter, Jedward may find themselves next in line for victory, which is...well, a startling thought.

With Ireland, France and the UK all in genuine contention, tonight's result could have some significance in the overall history of the contest. If either France or the UK win, they'll move clear of the other and of Luxembourg to become the second most successful country in Eurovision history with six victories - just one behind Ireland. But if Ireland notch up their eighth win, they'll move three clear of the others once again. One curiosity is that six of Ireland's seven victories to date occurred in the 1980s and 90s, whereas the most recent of France's wins was as far back as 1977 - although to be fair they couldn't have come much closer in 1991, losing to Sweden on the countback rule.

One prediction that is an absolute banker for this evening is that the UK public will want to award twelve points to Ireland (although whether the UK jury will play ball with that is another matter). And Ireland may even return the compliment, although I must admit that when I heard the Icelandic entry the first thought that went through my head was "douze points from Ireland".